— Back lighting in the oak forest —
Great Gray Owl (Strix nebulosa
• Oil on panel 100 x 81 cms Manuel Sosa © 2004

 
Manuel Sosa Pintando
 
Movemove me...
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    A basic drawing in graphite on canvas
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    Wash the entire canvas with a neutral color with the idea that white does not distract me too
  • 0002 Carabo Lapon
    I start toning the whole picture at once, ignoring details, with large bristle brush. Use highly diluted in turpentine oil. This combination produces interesting textures I will try to take as painting advance
  • 0003 Carabo Lapon
    I start toning the whole picture at once, ignoring details, with large bristle brush. Use highly diluted in turpentine oil. This combination produces interesting textures I will try to take as painting advance
  • 0004 Carabo Lapon
    So here is like working with watercolors. Very diluted colors does not cover the picture at all
  • 0005 Carabo Lapon
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    The whole landscape is already toned. Now I have a general idea of light and color of the environment to start working the point of interest: the owl
  • 0007 Carabo Lapon
  • 0008 Carabo Lapon
    All items are already outlined. You begin to see something! This is the fun part of painting
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    Paint the leaves following the outline of my sketchbook because if you look at the previous frames, the initial drawing is covered by the oil too thick. This is normal ... so it is useless start with a detailed drawing
  • 0012 Carabo Lapon
    Use thicker paint each time, especially in the lights. I spent several days applying details
  • 0013 Carabo Lapon
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    The painting is almost ready...
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    Signed and completed! Come on, fly little bird!

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