Viele der klassischen Maler wurden \"Grisaille\"-Maler genannt, weil sie zun\u00e4chst mit einem einzigen Grau malten. Auf diese Weise konnten sie sich auf Licht und Form konzentrieren und k\u00fcmmerten sich nicht um die Farbe, die sie schlie\u00dflich in sehr feinen Lasuren auftrugen. Ich habe das Experiment mit diesem Gem\u00e4lde durchgef\u00fchrt, nachdem ich es in einer Abhandlung \u00fcber die Malerei von Leonardo kennengelernt hatte. Ich habe das gesamte Volumen nur mit einer hellbraunen Erde und Wei\u00df in verschiedenen Schattierungen aufgel\u00f6st. Ich wartete mehrere Tage, bis das \u00d6l getrocknet war, und begann dann, farbige Lasuren auf den Waldkauz aufzutragen. Und dabei bin ich geblieben, nicht aus Faulheit, sondern um den Tarneffekt zu erhalten, den ich zuf\u00e4llig erzielt hatte. Viele Bilder werden ruiniert, wenn man es \u00fcbertreibt. Aber nur so lernt man, indem man sich anstrengt. \u00d6l auf Tablex. Manuel Sosa \u00a9 1996<\/p>","protected":false},"excerpt":{"rendered":"
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