Many of the classical painters were called \"grisaille\" painters, because they began by painting with a single grey. In this way they were able to focus on light and form, and were unconcerned with colour, which they finally applied in very fine glazes. I did the experiment with this painting after learning about it in a treatise on painting by Leonardo. I resolved the whole volume with only a tan earth and white in different shades. I waited several days for the oil to dry and then I began to superimpose coloured glazes on the tawny owl. And there I stayed, not out of laziness, but to preserve the camouflage effect that I happened to have achieved. Many paintings are ruined by overdoing them. But that's the only way to learn, by putting in the miles. Oil on tablex. Manuel Sosa \u00a9 1996<\/p>","protected":false},"excerpt":{"rendered":"
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