De nombreux peintres classiques \u00e9taient appel\u00e9s \"peintres de grisaille\", car ils commen\u00e7aient par peindre avec un seul gris. Ils pouvaient ainsi se concentrer sur la lumi\u00e8re et la forme, sans se pr\u00e9occuper de la couleur, qu'ils appliquaient finalement en glacis tr\u00e8s fins. J'ai fait l'exp\u00e9rience avec ce tableau apr\u00e8s en avoir pris connaissance dans un trait\u00e9 de peinture de L\u00e9onard. J'ai r\u00e9solu l'ensemble du volume avec seulement une terre tann\u00e9e et du blanc en diff\u00e9rentes nuances. J'ai attendu plusieurs jours que l'huile s\u00e8che et j'ai commenc\u00e9 \u00e0 superposer des glacis color\u00e9s sur la chouette hulotte. Et j'y suis rest\u00e9, non par paresse, mais pour pr\u00e9server l'effet de camouflage que j'avais obtenu. Beaucoup de peintures sont g\u00e2ch\u00e9es par l'exc\u00e8s. Mais c'est la seule fa\u00e7on d'apprendre, en faisant des kilom\u00e8tres. Huile sur tablex. Manuel Sosa \u00a9 1996<\/p>","protected":false},"excerpt":{"rendered":"
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