Uma lontra esquiva descansa por um momento nas \u00e1guas agitadas de um rio de montanha nos selvagens Pirin\u00e9us espanh\u00f3is. Passei cinco dias acampado neste local isolado, colaborando num censo desta esp\u00e9cie. Tive de permanecer o mais im\u00f3vel e despercebido poss\u00edvel durante longas horas, o que me permitiu trabalhar pacientemente na tela preliminar desta pintura. Uma lontra brincalhona em frente ao meu cavalete ontem \u00e0 noite - enquanto eu pegava nos meus pinc\u00e9is - foi a recompensa de uma espera t\u00e3o longa. As formas sinuosas deste belo mam\u00edfero foram decisivas para a composi\u00e7\u00e3o final, j\u00e1 no meu est\u00fadio. Um \"s\" atravessa diagonalmente o quadro e repete-se nas rochas e no animal, dando ritmo \u00e0 obra. A lontra, sempre alerta, foi pintada longe do centro para criar tens\u00e3o e obrigar o espetador a percorrer a obra. Foram necess\u00e1rias infinitas lavagens de ocre e terra para obter os ocelos de luz na \u00e1gua que se filtram atrav\u00e9s dos salgueiros naquela tarde m\u00e1gica de outono. \u00d3leo sobre tela. Manuel Sosa \u00a9 1997<\/p>","protected":false},"excerpt":{"rendered":"
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