Muitos dos pintores cl\u00e1ssicos eram chamados pintores \"grisaille\", porque come\u00e7avam por pintar com um \u00fanico cinzento. Desta forma, conseguiam concentrar-se na luz e na forma e n\u00e3o se preocupavam com a cor, que acabavam por aplicar em esmaltes muito finos. Fiz a experi\u00eancia com esta pintura depois de ter aprendido sobre ela num tratado de pintura de Leonardo. Resolvi todo o volume apenas com uma terra bronzeada e branco em diferentes tonalidades. Esperei v\u00e1rios dias para que o \u00f3leo secasse e depois comecei a sobrepor esmaltes coloridos \u00e0 coruja. E ali fiquei, n\u00e3o por pregui\u00e7a, mas para preservar o efeito de camuflagem que, por acaso, tinha conseguido. Muitas pinturas s\u00e3o arruinadas pelo exagero. Mas \u00e9 a \u00fanica maneira de aprender, fazendo quil\u00f3metros. \u00d3leo sobre tablex. Manuel Sosa \u00a9 1996<\/p>","protected":false},"excerpt":{"rendered":"
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