A Hoopoe painted in oil on panel. Painting, 2001. A Hoopoe enjoying the last hours of sun in an ash grove of the Sierra de Guadarrama. These small plots, dotted with ash trees and oaks, divided by beautiful stone walls, are teeming with life for the traveler who ventures into them. Oil on canvas. Manuel Sosa © 2001
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True art in the hands and heart The fine art print is beautiful. It looks even better in person. I ordered it as a gift for a bird lover. By mistake, they sent me a different one, and Mr. Sosa had the wonderful gesture of gifting me the incorrect one and sending me the one I had ordered, which allowed me to give a truly magnificent gift. Both are beautiful. Thank you for your generosity. The person who received them is a follower of your paintings and was immensely happy. Many thanks.
European turtle dove I have this painting, and others too, a marvel. I have my home adorned with several paintings by Manuel: a Song Thrush, a Common Snipe, a Common Quail. If my house were bigger, I would have more. Thank you Manuel for making these paintings more accessible.
I was able to customize the fine art prints Many thanks for your help, very professional and approachable. I wish you all the best!
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1 review for Stone wall with Hoopoe and Ash trees
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| Dimensions | 73 × 50 mm |
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| Dimensions | 73 × 50 mm |
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ALBA MARÍA ROBLAS MORENO -
Ineffable. I lack the eloquence to describe what I see and feel when I scrutinise this masterpiece. M.Sosa makes Art with capital letters: he is our I. Shishkin or A.Bierstadt, another A.López, but of Nature.I want to have the privilege of being able to admire his original works in the permanent collections of museums such as the Reina Sofía, because he is a great artist, because he captures in a sublime way, passing them through the sieve of his gaze, the ethereal, the ephemeral, the beauty and the soul of our wild landscapes and their inhabitants - those that we appreciate so little and tend to mistreat by putting them in danger - because I, without wishing to offend and subtract from his work, am a great artist, without wishing to offend or detract one iota of genius from anyone, I prefer this centenary wall to an artificial road, and to works by other authors that pseudo-intellectuals praise with vacuous criticism and snobs praise for fear of not appearing cultured and because the natural is not in vogue.I may be a rara avis, but I prefer to see the reflection of what seems eternal to me. That's why I'm not cool or modern, nor do I pretend to be.