Oil painting of a zizagging path between holm oaks. Painting from 2004. Oil on board. Manuel Sosa © 2004
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True art in the hands and heart A beautiful plate. Better in natural. I ordered it as a gift for a bird lover. By mistake they sent me another one and Mr. Sosa was kind enough to give me the wrong one and sent me the one I asked for, so I was able to give a great gift. They are both beautiful. Thank you for your generosity. The person who received them is a follower of your paintings and it made him very happy. Thank you very much.
European Turtle Dove I have this painting, and others, a marvel, I have the house with several paintings of Manuel, thrush, woodcock, quail, if the house would be bigger I would have more, thanks Manuel for making these paintings more accessible.
I was able to personalise the prints Thank you very much for your help, very professional and approachable. All the best!
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2 reviews for Path between pastures
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| Dimensions | 73 × 47 mm |
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| Dimensions | 73 × 47 mm |
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Manuel Sosa -
Donde muere el día
Caminar por los senderos cuando el sol empieza a caer y los campos labrados se tiñen de este color ocre tan denso es una desconexión total. En este óleo quise atrapar esa hora en la que el viento se calma y la dehesa se vuelve puro silencio. Le metí mucha textura a las roderas del camino y a los terrones de tierra suelta para que casi se pueda sentir el crujido de las botas al andar.
Pilar Maestre -
Aquí nos metes de lleno en esa luz mortecina y anaranjada del final del día, cuando el campo ya está labrado y la tierra se vuelve de un tono pardo y denso bellísimo.
Es espectacular cómo el camino de tierra en primer plano, con las roderas marcadas, nos invita a meternos en el cuadro y seguir la linde de vegetación seca y flores silvestres que resisten al borde del sendero. Las encinas, salpicadas con esa maestría tuya, rompen la llanura y nos guían hacia esa perspectiva lejana de lomas y sierras difuminadas bajo un cielo encendido que parece calentar el lienzo. Es un cuadro que se huele y se siente. Qué manera tan soberbia de pintar la soledad del campo.